SDI (Serial Digital Interface) is a family of digital video interfaces first standardized in 1989 by SMPTE (Society of Motion Picture and Television Engineers), which sought to bring order, interoperability and consistency to the emerging world of digital video from previous analog standards.
SDI offers a range of advantages over competing interfaces for the successful transmission of professional video and audio, which has ensured its longevity as a standard to this day. Physically, many will associate SDI with the BNC locking connector, but the interface transcends the connector itself and lends itself to transmission over Fiber and IP networks as well. Here are some of the advantages that have ensured its success over the years:
SDI signals are transported in latency-free and uncompressed digital signals over coaxial cables and offer crystal-clear imagery.
As resolution, frame rates and deep color offerings have expanded from the camera down the chain of production, post and delivery, SDI has continuously evolved to meet increasing bandwidth needs.
Deeper color-space HD and progressive imagery led to the use of two SDI cables in-sync, described as Dual-Link, to achieve the needed bandwidth; testimony to SDI’s continual evolution when faced with new demands. For many 4K/UltraHD workflows today, up to 4x 3G-SDI connections can be utilized to carry and create a full 4K/UltraHD image; 12G-SDI simplifies that with transmission of the full 4K signal across a single 12G-SDI cable.
SDI interfaces are numerous but for the sake of simplicity can be divided into the following bandwidth categories for coax use:
Traditional BNC connectors offer a rugged locking mechanism that offers security on set and in the studio, guarding against accidental uncoupling.
HMDI cables can only run up to about 30 feet before they require some type of amplifier or repeater, reflecting their original intention as a consumer interface. SDI in contrast can, depending on bandwidth, run to lengths of 300 meters before needing assistance. By connecting a SDI over Coaxial cable to an appropriate Optical Fiber converter like AJA’s range of 3G-SDI and 12G FiDOs, the signal can be further transmitted or received up to 10km from the source.
SDI over Coaxial Cable has functioned as a point-to-point transmission system which helps ensure security as it cannot be distributed further until deliberately connected to a DA (Distribution Amplifier) or a Router.
SDI supports Time Code, which gives every frame of video its own unique identifying number. This makes frame-accurate digital editing possible, and enables the association of other data to make audio and video even more focused, accurate, and repeatable. It can be used to synchronize music and is often used to automate lighting, pyrotechnics, video, and other effects in live concert production. HDMI does not support Time Code.
SDI offers the ability to not only carry Video but Ancillary data (commonly abbreviated as ANC data) as well. In the context of television systems, ANC refers to a means which by non-video information (such as audio, other forms of essence, and metadata) may be embedded within the serial digital interface.
Ancillary data packets are commonly divided into two types, depending on where they are located—specific packet types are often constrained to be in one location or another.
HD-capable SDI uses standard coax cable (RG-6) which is generally cheaper to produce than HDMI per foot or meter.
1.5Gbps HD-SDI routing began to appear to support digital television ATSC HD OTA (over-the-air) transmission in North America. Digital television kicked off in the United States in 1996, so 1.5Gbps HD-SDI routing was a response to a serious need for improved conveyance of uncompressed digital video.
Less than half a decade later, the television industry started to replace the 1080i signal in some acquisition, production, and contribution environments with the higher frame rate and progressive nature of 1080p50/60 fps which required 1.5 Gbps HD-SDI bandwidth to be doubled, either through Dual-Link (using two SDI cables in tandem), or by jumping to the new standard of 3G-SDI with its doubled bandwidth over a single cable.
Today its common to find 3G-SDI infrastructure in a range of facilities, mobile broadcast trucks and live event environments. With the advent of 4K/UltraHD and high frame rate workflows like 60p and above, the pressure is on to move to a higher bandwidth offering.
As camera and routing technology continues to advance, broadcast and digital cinema grade SDI standards for resolution, frame rate, and color depth have been implemented to handle the increasing bandwidth of uncompressed video signals through the production and post chains.
Many smaller local television stations in the United States and Europe today are still using SDI (1.5G) systems, while the majority of production environments utilize 3G-SDI for HD pipelines and a combination of 3G-SDI cables to handle 4K/UltraHD workflows. Moving forward, many will need to upgrade their bandwidth in due course to handle cameras with 6G-SDI outputs, not to mention the 12G-SDI workflows now demanded by newer cameras like the Venice, recently announced by Sony.
The good news is that 12G-SDI is fully backwards compatible, simplifies cabling and with the correct tools, you can move your current infrastructure forward smoothly and simply. AJA is here to help ease the transition.
12G-SDI offers multiple advantages. As a family of video interfaces standardized by SMPTE, SDI and their related interfaces offer nominal data rates when used for transmission of uncompressed, unencrypted digital video signals within television facilities.
12G-SDI offers eight times the bandwidth of normal HD-SDI and offers the simplicity of single cable connectivity. 12G-SDI has the ability to handle high frame rate and deep color 4K/UltraHD signals over a single cable, including up to 100/120fps. This has major benefits for live events, broadcast studios, on set and live venues when it comes to cable complexity, weight, and troubleshooting with far less points of potential failure in the signal chain. 12G-SDI over optical fiber further increases the distance that 12G can travel, up to 10km.
With broadcast technology constantly evolving, AJA is uniquely situated to provide future-proof technology for broadcast, production, post, ProAV, and developer partners in the video industry. AJA now supports 12G-SDI with solutions for editing, transmission over fiber, routing and Mini-Converters to Mux/Demux and distribute 12G-SDI where ever needed. AJA’s 12G-SDI solutions are all data agnostic, so they will continue to function as facilities migrate to HDR workflows and beyond.
Whether you are a high-profile media company, post-production house, mobile truck operator, or cinematographer, the reliability, flexibility and performance of AJA technology is incomparable.
12G-SDI to/from SDI Muxer/DeMuxer
12GM is a compact SDI transport converter that enables 12G-SDI to Quad-link 3G-SDI and Quad-link 3G-SDI to 12G-SDI conversion. The Muxer/DeMuxer supports 4K, UltraHD, 2K, HD and SD workflows and conversions from quad-link SDI signals to single link SDI signals, and vice versa at 12G, 6G, 3G and 1.5G bit rates. Both Square Division (Quadrant) and Two Sample Interleave (2SI) input and output mappings are supported.
12G/6G/3G/HD/SD-SDI Distribution Amplifier
12GDA is a miniature 1x6 12G-SDI re-clocking distribution amplifier that allows facilities to save on cable runs and install times. With support for 12G-SDI for 4K/UltraHD single link workflows, the format-agnostic device features six separately buffered SDI outputs identical to the recovered input. It also offers automatic input detection, re-clocking and cable equalization, as well as a throw down package and LED signal detection indicator.
12G-SDI to HDMI 2.0 Conversion
Hi5-12G converts a 4K/UltraHD/2K/HD 12G-SDI single-link input with eight channels of embedded digital audio to an HDMI 2.0 output with two or eight channels of audio. It includes a 12G-SDI single-link input with a re-clocked SDI loop out for simpler confidence monitoring or pass on for SDI pipelines.
Fiber SFP-equipped Hi5-12G models include the Hi5-12G-R receiver, which extends HDMI 4K signals over long distances from either an SDI or a Fiber connected source, and the Hi5-12G-TR transceiver, which delivers a 4K/UltraHD SDI or Fiber source signal to an HDMI destination with pass on of the source through SDI or Fiber to a secondary destination.
Hi5-12G Models Available:
Hi5-12G - 12G-SDI to HDMI 2.0
Hi5-12G-R - Includes 1x Fiber LC Receiver
Hi5-12G-TR - Includes 1x Fiber LC Transceiver
HDMI 2.0 to 12G-SDI Conversion
HA5-12G allows users to convert an HDMI 2.0 input with up to 8 channels of audio from an HDMI source to two 12G-SDI single-link outputs.
The portable converter includes two SDI DA outputs and transmits 12G-SDI on each SDI link, reducing cable runs when transporting 4K/UltraHD over SDI.
Fiber SFP-equipped HA5-12G models include the HA5-12G-T single-channel transmitter, which extends HDMI 4K signals over long distances (10 km Single-Mode), and the HA5-12G-2T dual-channel transmitter, offering two 12G-SDI coaxial outputs and two 12G-SDI over Fiber outputs to simultaneously enable HDMI 4K source extension to multiple locations without a distribution amplifier.
HA5-12G Models Available:
HA5-12G - HDMI 2.0 to 12G-SDI Coaxial
HA5-12G-T - Includes 1x Fiber LC 1-Ch Transmitter
HA5-12G-2T - Includes 1x Fiber LC 2-Ch Transmitter
The FiDO family of 12G-SDI/Optical fiber Single-Mode extenders by AJA allows for the transport of 12G over distances of up to 10KM when using standard Single-Mode fiber optic cable. All our FiDO converters meet all relevant SMPTE specifications and are designed for multiple applications.
FS-HDR with Colorfront Engine™ Technology for SDR to HDR, HDR to SDR and HDR to HDR conversions.
The FS-HDR is a rack-mount, universal converter/frame synchronizer, designed specifically to meet the HDR (High Dynamic Range) and WCG (Wide Color Gamut) needs of broadcast, OTT, post and live event AV environments, where real time, low-latency processing and color fidelity is required for 4K/UltraHD and 2K/HD workflows. Developed in partnership with Colorfront, the FS-HDR’s HDR/WCG functionality is powered by the proven and highly respected Colorfront Engine™ video processing algorithms.
Besides integrated 3G-SDI, FS-HDR offers 4 optical fiber SFP cages for use with optional 12G-SDI HD-BNC or 12G fiber modules with support for 12G/6G SMPTE rates.
FS4 offers Single-Channel 4K/UltraHD/2K/HD/SD or 4-Channel 2K/HD/SD Modes in a 1RU frame for conversion and frame synchronization.
The FS4 is a 4-Channel 2K/HD/SD or 1-Channel 4K/UltraHD frame synchronizer and up, down, cross-converter. AJA’s flagship frame synchronizer and converter offers incredible versatility and connectivity in a sleek 1RU frame for all your 4K/UltraHD and 2K/HD/SD conversion needs, with a wealth of digital and optional 12G-SDI Fiber LC and 12G-SDI HD-BNC SFP connectivity.
FS4 offers 4 fiber SFP cages for use with optional 12G-SDI HD-BNC or 12G fiber modules with support for 12G/6G SMPTE rates.
You can configure your FS-HDR or FS4 with the appropriate SFP module by utilizing the AJA SFP Configurator
Designed for use in broadcast, production and ProAV, KUMO 3232-12G and KUMO 1616-12G routers support large format resolutions, high frame rate (HFR) and deep color productions, reduce cable runs, and minimize points of failure when transporting 4K/UltraHD over SDI. KUMO 12G routers are also backwards compatible to all SDI formats.
Choose between KUMO 3232-12G and KUMO 1616-12G, two new compact 12G-SDI routers with 32x 12G-SDI inputs and 32x 12G-SDI outputs, and 16x 12G-SDI inputs and 16x 12G-SDI outputs respectively.
The routers mirror the physical form of AJA’s KUMO 3232 and KUMO 1616 routers, and add a USB port for easy configuration of IP addresses via AJA’s eMini-Setup software.
KONA 5 supports 12G-SDI I/O and HDMI 2.0 output. KONA 5 also supports HDR10 and HLG support over HDMI.
KONA 5 is AJA’s most powerful desktop PCIe card, offering a full set of professional video and audio connectivity with support for the latest 4K/UltraHD devices, High Frame Rate (HFR), High Dynamic Range (HDR) and deep color workflows. Reference In is included on the card itself and an included breakout cable connects you further through RS-422 and 8-Channels of AES Audio input and output.
Io 4K Plus supports Thunderbolt 3, 12G-SDI, and HDMI 2.0 I/O. Io 4K Plus also supports HDR10 and HLG support over HDMI.
Io 4K Plus is the cutting edge of capture and output hardware available over Thunderbolt 3, offering a full set of professional video and audio connectivity with support for the latest 4K/UltraHD devices, High Frame Rate (HFR), High Dynamic Range (HDR) and deep color workflows. The power of Thunderbolt 3 enables Io 4K Plus to handle a wide range of formats from 4K/UltraHD to 2K/HD and SD with frame rates up to 60p over both 12G-SDI and HDMI 2.0.