Latest AJA User Stories
University of Florida Turns to AJA Ki Pro as Standalone VTR
January 26, 2010
When University of Florida’s (UF) Director of Electronic Media for the Athletic Association, Jerry Wetzel was looking for a portable, tapeless HD recording device to travel to the 2010 Sugar Bowl... More
AJA XENA Cards Help Bandito Brothers Accomplish a Filmmaking Mission for the US Navy
January 08, 2010
“Saving lives. It’s not just the job of paramedics, EMTs, firefighters and doctors. When a life needs to be saved in some of the riskiest settings imaginable, it’s the Navy Aviation Rescue... More
Voyaging to HD: A Veteran Video Assist Operator Transitions with AJA Solutions
December 02, 2009
In his 20 year career as a Video Assist Operator and Digital Imaging Technician Michael Taylor has set up, managed, and lugged literally tons of monitors, cables, decks, converters and other related... More
AJA KONA and Io HD Keep Things Running for ‘And Then Came Lola’
October 15, 2009
“And Then Came Lola,” A fast-paced romp through the streets of San Francisco loosely inspired by the art-house classic “Run, Lola, Run,” stars Ashleigh Sumner as Lola, a talented but... More
AJA Converter Provides Optimal Signal-to-Screen Solution for HP DreamColor Display
October 06, 2009
DP and Colorist Andrew Huebscher Selects AJA HDP2 HD-SDI to HDMI Mini-Converter for True 10-bit Signal, Performance and Picture Quality DP and Colorist Andrew Huebscher has been working on... More
AJA KONA 3 Enables Final Cut Pro Workflow for Documentary Feature “The Nature of Existence”
September 02, 2009
Uncompressed capture card for SD, HD, and Dual Link 4:4:4 HD for Apple Mac Pro systems “The Nature of Existence” is the latest documentary feature from filmmaker Roger Nygard, the force behind... More
AJA KONA 3 Boosts Final Cut Pro HD Workflow for AFI SilverDocs Winner ‘October Country’
August 14, 2009
For “October Country,” the grand jury prizewinner at the 2009 AFI/Discovery Channel SilverDocs documentary festival, co-director Michael Palmieri developed a Final Cut Pro workflow that depended... More
Breathe Post Production in UK Taps AJA KONA 3 for Apple Final Cut Pro HD Workflows
July 02, 2009
Breathe Post Production, a full-service post house boasting two London facilities, caters to the broadcast, film and DVD industries. Breathe combines some of the UK's top talent with state-of-the-art... More
AJA XENA Cards Hit the Road in Wohler Mobile Showroom
May 28, 2009
Wohler Technologies, Inc. provides in-rack audio, video and data monitoring and closed captioning solutions for the broadcast, motion picture, and professional audio/visual markets. As part of... More
AJA KONA 3 at the Heart of 'The Curious Case of Benjamin Button' Edit
April 01, 2009
Video Capture and Playback Card Supports All-Digital Workflow for Academy Award-Winning Feature Film Shot primarily on the Grass Valley Viper FilmStream digital cinema camera, “The Curious Case... More
Seattle's EMP|SFM Archives Oral Histories with AJA KONA 3
March 20, 2009
David Wulzen is an editor and assistant producer of film and video for the curatorial department of Seattle’s Experience Music Project|Science Fiction Museum and Hall of Fame (EMP|SFM). Seattle’s... More
AJA Io HD Helps Horror Meet Comedy for Microsoft's Xbox LIVE
February 24, 2009
For “Horror Meets Comedy,” a series of six short pilot films commissioned by Microsoft for Xbox LIVE, online director John Clisham joined a group of a-list and up-and-coming horror directors... More
AJA KONA Cards Help Streamline Mobile Editing for Confidence Bay
December 19, 2008
Confidence Bay, based in Irvine, CA, is a fully customized HD mobile editing facility, offering video capture, logging, and editorial services for conventions, music and film festivals and other... More
AJA KONA Cards Support Editing Workflow for MTV Australia
December 11, 2008
MTV Australia is the cornerstone of music and youth culture programming throughout the country. Owned by MTV Networks, the broadcast channel features imported shows as well as locally... More
Troika Extends Creative Flexibility to Broadcast Design Team With AJA Kona 3
December 10, 2008
Troika is an Emmy Award-winning design company known for memorable visual brand identities, strategic design and creative production for major clients in media and entertainment, including ABC,... More
Telerecord Mobile Production Trucks Go the Distance with AJA FS1
October 20, 2008
Florence-based Telerecord is one of Italy’s leading providers of mobile television production trucks. The company maintains a fleet of five trucks facilitating a broad range of production... More
AJA XENA and KONA Cards Travel with Madonna's 'Sticky and Sweet' Tour
August 26, 2008
Short and Spikey Provides Cross-Platform Tapeless Workflow and Real Time Editing for Video Playback Concert Footage Veteran video engineer Jason Harvey, founder of Short and Spikey, knows... More
AJA KONA is Key to Final Cut Pro Edit Pipeline on The X-Files: I Want to Believe.
August 15, 2008
KONA 3 cards were integral to the Final Cut Pro pipeline on Twentieth Century Fox’s The X-Files: I Want to Believe. The film, based on the hit television series and starring David Duchovny (Fox... More
Australia’s Cutting Edge Sets Standards in Film & Television Excellence with AJA Solutions
June 26, 2008
Cutting Edge is one of Australia’s largest full service film and television post-production companies with facilities in Brisbane, two in Sydney and another in Darwin employing a total of 160... More
AJA KONA 3 Cards Provide Multiple Post Workflows for Different by Design
June 16, 2008
Founded in 2004 by partners Greg Lanesey and Matt Radecki, Different by Design (DXD), along with strategic partner HD Cinema, provides production and post production services to independent... More
AJA Io HD Customers In Action
March 10, 2008
When AJA introduced the Io HD at NAB 2007, it was received with great industry enthusiasm and awards recognition from the key media outlets honoring products at the show. Since shipping to record... More
AJA KONA 3 and Apple Final Cut Pro Provide Optimal Edit Pipeline for ‘The Marconi Bros.’
March 10, 2008
KONA Uncompressed Video Capture and Playback Helps Facilitate 4:4:4 Edit for SXSW Indie Premiere AJA’s KONA 3 video capture and playback cards were used with Apple’s Final Cut Pro and Color as... More
AJA KONA 3 and Apple Final Cut Pro Provide Optimal Edit Pipeline for Alien vs. Predator: Requiem
January 03, 2008
KONA Uncompressed Video Capture and Playback with Final Cut Pro Facilitate DVC Pro HD 1080i 60 Edit for Twentieth Century Fox Feature January 3, 2008 The KONA 3 video capture card was used with... More
AJA KONA 3 Enables End-to-End Post Services for “The Bodybuilder and I”
June 12, 2007
AJA’s KONA 3 video capture card was used to complete a range of post production services for “The Bodybuilder and I,” the winner of the Best Canadian Feature award at this year’s Hot Docs... More
AJA KONA 3 Provides Missing Link to HD Deliverable for The History Channel’s “The Mexican American War”
October 09, 2006
The KONA 3 video capture card was used by Jim Lindsay Productions, Inc. for use on “The Mexican American War,” a two-hour television special for The History Channel. The KONA 3 is AJA’s... More
AJA XENA 2K video playback and capture cards play prominent role in Gearless Visual Effects’ feature film pipeline
August 31, 2006
Copenhagen-based studio delivers cost-efficient, world-class visual effects and film finishing using the AJA XENA card Located in Filmbyen, the “Film Town” of Denmark, Gearless Visual Effects... More
AJA KONA and Apple Final Cut Pro Provide Optimal Edit Pipeline For Wide Release Feature Film “HOOT”
March 11, 2006
KONA Uncompressed Video Capture and Playback with Final Cut Pro Facilitate DVC Pro HD 1080i 60 Edit for New Movie from New Line Cinema and Walden Media AJA’s KONA uncompressed video capture card... More
AJA KONA 3 Accelerates Live Editing During Super Bowl XL
February 09, 2006
Seasoned sports editor Ryan Leimbach was tapped by ABC to cut live broadcast bumpers during this year’s Super Bowl broadcast. AJA KONA 3 gave him all of the video capture and playback... More
AJA Customer McGill Turns Heads with Life-Size HD Videoconferencing
December 16, 2005
In a groundbreaking exhibit of new advancements in video conferencing, McGill University has used AJA products to show how artists and entrepreneurs can collaborate live over large distances in high... More
Blackbird Digital Authors Music DVDs - by Rich Winter
January 01, 2005
By Rich Winter My company, Blackbird Digital, recently had the pleasure of authoring two music DVDs for both domestic and international release; Primus: Hallucino-Genetics, and Neil Young:... More
Wexler Video Provides Rock-Solid Real Time-to-post Feed with AJA Solutions
January 01, 2005
The Product: lo The Customer: Wexler The Challenge: Provide live feed from remote shooting location to off-site post-production for reality series with extreme editing-toair... More
Harley Davidson Roars Into Its Second Century - by Jim Maslowski
January 01, 2005
By Jim Maslowski, Multimedia Producer, Harley Davidson When Harley Davidson does something, we do it in a big way. We’ve been in existence for a hundred years, and are now headed into our second... More
Fridthjof Film Prefers Editing on a Mac with FCP and AJA's Kona SD By Toke Rude Trangbæk, Post-production Coordinator
January 01, 2001
Fridthjof Film was started in 2000 - just as Final Cut Pro emerged for the professional editing industry. We are a 100% Apple facility specializing in not only editing on Macs with Final Cut Pro, but... More
